MIFF 2018 Critics Campus participant Valerie Ng takes us through the beautiful everyday moments that take centre stage in the imagery of Hirokazu Kore-eda, director of MIFF 2018 films Shoplifters and The Third Murder
Director of the MIFF Premiere Fund-supported UNDERMINED: TALES FROM THE KIMBERLEY speaks about the unique challenges of making a film in the remote Kimberley region, and the international relevance of the tensions between first peoples and developers.
MIFF Accelerator Lab alumna Miranda Nation makes her feature directorial debut with Undertow, a Geelong-shot psychological thriller about grief and obsession set against the backdrop of local footy cu...
Sue Thomson, director of our Closing Night Gala World Premiere screening of The Coming Back Out Ball Movie, answers a few questions about the struggles facing LGBTIQ seniors and how she became involved in this joyous event.
The director of the MIFF Premiere Fund supported documentary The Eulogy spoke to us about how she became interested in the work of Geoffrey Tozer, and what it was like to work with the big personalities of Paul Keating and Richard Gill.
In anticipation of documentary Matangi/Maya/M.I.A, Vyshnavee Wijekumar gives us an insight into the controversial performer's art and activism.Â
Traced through her own parallel family history, VyÂ exploresÂ her connection to M.I.AÂ as a fellow Sri Lankan Tamil migrant.
The general consensus about the ten-day 68th Berlin International Film Festival was that the real highlights were not necessarily the more prominent films that stood out at first glance. Instead, the ...